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February Meeting - Burke Seim, Service Photo Supply Inc.

For over 50 years, Service Photo has been serving the photographic needs of the Baltimore and greater Maryland area. Burke will be speaking to us about how the photographic business has changed over the years and providing insights into the business of photography that all of us deal with but probably do not understand as well as we should. Gray market vs. US warranty, buy local or online, how do I get my camera repaired, how do I clean my sensor, where is the market going. All of this and more will be covered. The presentation works best as an interactive session so bring lots of questions.

January Meeting - Don Rosenberger - Abstracts

About Don:

I first picked up a camera in my teenage years, shooting mostly black and white film and doing my own darkroom work. My interests shifted to color film in my early twenties, then I did the unexpected, I quit photography. There were a variety of reasons for this decision, but when I look back I think I was lacking a certain maturity that was necessary to move forward in regard to the quality of my work. With the advent of Digital Photography I started shooting again with a passion that had been missing in earlier years. Today I am drawn to a variety of work, but I consider landscape photography to be the core of my interests. Being outside and often in remote locations gives me an appreciation for our natural world. It is my hope that my images bring others to that same level of appreciation.

Today I consider myself a professional amateur. The amateur aspect allows me to pursue photography with a passion that many with a 9 to 5 job lack and the professional aspect constantly pushes me to improve my craft. Even when shooting familiar subjects, I try to capture them in new and unique ways. I constantly feel a motivation to strive for that next level, regardless of how elusive that goal may be. I hope to be able to share that passion and drive with our clients at Road Runner Photography Tours.

While I consider camera gear to be important, it is only a tool that you use to achieve an end. In the field I might be shooting next to you with only an iPhone, but that might be the tool I choose to achieve my creative vision. As David DuChemin said “gear is good, vision is better”. I might make suggestions for equipment that will help you achieve a specific effect, but I do not believe that expensive cameras are necessary for quality work.

November Meeting - Denise Silva

Creative Long Exposures

In this presentation Denise will show examples of the various types of long exposure techniques. She will discuss the best conditions to take advantage of long exposures. She will also show what gear you will need and will explore why you might want to give this very creative form of expression a try!!

December Holiday Party

In lieu of a meeting, we will be having our annual holiday gathering. Please bring your favorite side dish or dessert. We will also be doing the photo swap again this year! If you are interested in participating, bring a wrapped matted photo suitable for framing. This always brings lots of fun and laughter and legal theft! So please join us and bring your spouse or partner for the evening.

Again this year, we are having a special presentation brought to us by YOU! Our presentation this year will be a series set to music of your 5 Best Shots of the Year. If you are interested in participating in the show, go through your pictures from 2014 and pick your top 5. Send them to Peter Foiles: pfoiles@mac.com. (1024 pixels on the long side is sufficient). Please include your name in a watermark on the photo so everyone knows who took the photo. The presentation will play during our holiday party as a homage to all our talented members! All entries MUST be sent to Peter by 12/2/15.

Clique Winter Show - December 2015

Please bring your framed, ready to hang, entries for the Members Show to the November meeting. All images MUST be framed with a hanging wire in the back, no exceptions. One of the best benefits of belonging to the Camera Clique is the Annual Members Show. We would like to invite all our members to participate. It is a nonjuried show, meaning you decide what to display and, as an added benefit, you can offer your prints for sale (the Delaplaine will collect a percentage of all sales as a commission. Who: All clique members whose dues are paid as of November 12, 2015

What: Submit up to TWO ready to hang (wire on back) prints. Please no entries larger than 16 x 24 outside measurement. Smaller is fine. If you havemultiple pictures in one frame, that counts as 1. Style and color of frames and mattes is up to you, but white black and grey make the hanging easier and are gallery/museum standards.

On the back of each framed print, place a label. On each label, we need your name, address, phone number, title of photo, price if it’s for sale or “NFS” if it’s not for sale, and a priority number 1 or 2. The number is the first and second to be displayed. It depends on the number of participants, but we will hang as many as we can. All “1’s” will be hung up and “2’s” will depend on number of entries.

Please email Peter Foiles: pfoiles@mac.com the titles and price of you prints so he can make the labels ahead of time

Please remember this is a family friendly environment and the we encourage you to keep this in mind when you make your selections. We reserve the right to deny any entry if it is considered to be inappropriate.

Drop off dates at the Delaplaine:

November 11th 6:00-7:00

November 21st 1:00- 3:00

Hanging party November 30th 6:30

October Meeting - Richard Batch

Richard Batch was 15 when he got his first real camera, a Yashica Mat-LM. Having only 12 shots per roll taught him to think before shooting. El Greco led him to learn about zone focusing and relating subject to environment. After receiving his degree from Georgetown’s School of Foreign Service, he landed a job as the staff photographer for The Northern Virginia Sun. He also shot for Dossier Magazine, two theatres in DC and freelanced.

Wet darkroom printing work became much easier when he ran film/developer/paper calibrations to produce negatives, which allowed the full range of zones to be printed without any additional work. On the digital side, more testing of papers, printers, film scanners and techniques in Photoshop helped him work toward the production of the fine digital B&W print. Photojournalism and portraiture are his passions.

September Speaker - Peter Foiles

Photographing Death Valley, Southern Utah and the Palouse or How Mirrorless Cameras Saved Your Intrepid President’s Life.

Peter Foiles will share images from his recent photo trips to Death Valley, Southern Utah and the Palouse Peter will also provide tips and information on where to stay and what to see so that you can plan your own visits to these beautiful areas. As many of you know, Peter is a proponent of mirrorless camera systems and will have the camera kit he used for these trips and his experiences on how it performed.

August 2015 Speaker

Challenge from Brady Wilks

Brady will return to critique your challenge images.

Bring 2 or 3 examples to the August meeting

Step out of your comfort zone #1

  • Photograph a subject you’ve never tried before.
  • Consider how your photographic style affects your approach of a new subject

Step out of your comfort zone #2

  • Choose an alternative photographic process.
  • Consider how the transformation of your image informs the content and intent of your work...is it just a novelty?

June 2015 Meeting Speaker Vince Lupo

Vince Lupo has a passion for photography and has wanted to be a professional commercial photographer since he was 12 years old. He earned his Bachelor of Applied Arts degree in Photography from Ryerson Polytechnic University in Toronto, Ontario and his Master of Fine Arts degree in Still Photography from Savannah College of Art and Design in Savannah, Georgia.

Vince Lupo specializes in architecture, people, product, and food photography. He’s earned numerous personal and professional photography awards, including two ADDYs.

A combination of technical mastery and creative training has garnered Vince Lupo a reputation as a professional commercial photographer who can capture images that exceed his clients’ visions.